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40. MFFMW Ale Kino!
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Going wherever eyes may take you - an interview with Michał Poniedzielski and Dominik Litwiniak, the creators of Mr Practical Going wherever eyes may take you - an interview with Michał Poniedzielski and Dominik Litwiniak, the creators of Mr Practical

Going wherever eyes may take you - an interview with Michał Poniedzielski and Dominik Litwiniak, the creators of Mr Practical
Portuguese restlessness. David Pinheiro Vicente, the director of The Lamb of God, as interviewed by Kuba Armata Portuguese restlessness. David Pinheiro Vicente, the director of The Lamb of God, as interviewed by Kuba Armata

Portuguese restlessness. David Pinheiro Vicente, the director of The Lamb of God, as interviewed by Kuba Armata
Against the stereotypes. Rémi Chayé, the director of Calamity, a Childhood of Martha Jane Cannary, as interviewed by Kuba Armata Against the stereotypes. Rémi Chayé, the director of Calamity, a Childhood of Martha Jane Cannary, as interviewed by Kuba Armata

Against the stereotypes. Rémi Chayé, the director of Calamity, a Childhood of Martha Jane Cannary, as interviewed by Kuba Armata
Report of Ale Kino's online Was It Business as Usual? Report of Ale Kino's online Was It Business as Usual?

Report of Ale Kino's online Was It Business as Usual?
Yohan Manca, the director of La Traviata, My Brothers and I, as interviewed by Piotr Czerkawski Yohan Manca, the director of La Traviata, My Brothers and I, as interviewed by Piotr Czerkawski

Yohan Manca, the director of La Traviata, My Brothers and I, as interviewed by Piotr Czerkawski
Lee Ji-Won, the director of Kids Are Fine, as interviewed by Piotr Czerkawski Lee Ji-Won, the director of Kids Are Fine, as interviewed by Piotr Czerkawski

Lee Ji-Won, the director of Kids Are Fine, as interviewed by Piotr Czerkawski
"Following the intuition" - Antoneta Alamat Kusijanović, the director of Murina, as interviewed by Kuba Armata "Following the intuition" - Antoneta Alamat Kusijanović, the director of Murina, as interviewed by Kuba Armata

"Following the intuition" - Antoneta Alamat Kusijanović, the director of Murina, as interviewed by Kuba Armata
The beauty of ‘ugly’ animals - creators of the film The Finger of Death as interviewed by Kuba Armata The beauty of ‘ugly’ animals - creators of the film The Finger of Death as interviewed by Kuba Armata

The beauty of ‘ugly’ animals - creators of the film The Finger of Death as interviewed by Kuba Armata
Animation has always seemed to me the most genuine, fullest form of art - an interview with Hassan Al – Jahni Animation has always seemed to me the most genuine, fullest form of art - an interview with Hassan Al – Jahni

Animation has always seemed to me the most genuine, fullest form of art - an interview with Hassan Al – Jahni
Animation has the potential to tell multi-layered human stories - Maria Cristina Pérez, the director of It’s All Salt’s Fault as interviewed by Kuba Armata Animation has the potential to tell multi-layered human stories - Maria Cristina Pérez, the director of It’s All Salt’s Fault as interviewed by Kuba Armata

Animation has the potential to tell multi-layered human stories - Maria Cristina Pérez, the director of It’s All Salt’s Fault as interviewed by Kuba Armata
“We found a small airfield that had a few old planes scattered around”. Lior Chefetz about ‘Sky Raiders’ “We found a small airfield that had a few old planes scattered around”. Lior Chefetz about ‘Sky Raiders’

“We found a small airfield that had a few old planes scattered around”. Lior Chefetz about ‘Sky Raiders’
A Short Film that Stays Relevant for Long A Short Film that Stays Relevant for Long

A Short Film that Stays Relevant for Long
“You can still recognize what is a Trabant, a Wartburg, or a Skoda”. Ralf Kukula & Matthias Bruhn about ‘Fritzi: A Revolutionary Tale’ “You can still recognize what is a Trabant, a Wartburg, or a Skoda”. Ralf Kukula & Matthias Bruhn about ‘Fritzi: A Revolutionary Tale’

“You can still recognize what is a Trabant, a Wartburg, or a Skoda”. Ralf Kukula & Matthias Bruhn about ‘Fritzi: A Revolutionary Tale’
“Many firemen are actually joyful pyromaniacs”. Nick Kelly about ‘The Drummer and the Keeper’ “Many firemen are actually joyful pyromaniacs”. Nick Kelly about ‘The Drummer and the Keeper’

“Many firemen are actually joyful pyromaniacs”. Nick Kelly about ‘The Drummer and the Keeper’
“On the list were wings, a cape and a unicorn”. Silje Salomonsen about ‘Sisters: the Summer We Found our Superpowers’ “On the list were wings, a cape and a unicorn”. Silje Salomonsen about ‘Sisters: the Summer We Found our Superpowers’

“On the list were wings, a cape and a unicorn”. Silje Salomonsen about ‘Sisters: the Summer We Found our Superpowers’
You can be whoever you want to be. Jonathan Elbers, the director of ‘The Club of Ugly Children’, as interviewed by Kuba Armata You can be whoever you want to be. Jonathan Elbers, the director of ‘The Club of Ugly Children’, as interviewed by Kuba Armata

You can be whoever you want to be. Jonathan Elbers, the director of ‘The Club of Ugly Children’, as interviewed by Kuba Armata
Incomplete Building Block Sets. Barbara Kowalewska Writes about ‘The Drummer and the Keeper’ Incomplete Building Block Sets. Barbara Kowalewska Writes about ‘The Drummer and the Keeper’

Incomplete Building Block Sets. Barbara Kowalewska Writes about ‘The Drummer and the Keeper’
Mischa Kamp & Tamara Bos about ‘Romy’s Salon’ “Bakers and butchers are disappearing, but hair salons are still there” Mischa Kamp & Tamara Bos about ‘Romy’s Salon’ “Bakers and butchers are disappearing, but hair salons are still there”

Mischa Kamp & Tamara Bos about ‘Romy’s Salon’ “Bakers and butchers are disappearing, but hair salons are still there”
What Vitamin Sweets Are for: Barbara Kowalewska writes about "Oskar & Lilli – Where No One Knows Us" What Vitamin Sweets Are for: Barbara Kowalewska writes about "Oskar & Lilli – Where No One Knows Us"

What Vitamin Sweets Are for: Barbara Kowalewska writes about "Oskar & Lilli – Where No One Knows Us"
“Realism allows me more than fantasy does“. Pierre Coré about ‘The Fantastic Journey of Margot & Marguerite’ “Realism allows me more than fantasy does“. Pierre Coré about ‘The Fantastic Journey of Margot & Marguerite’

“Realism allows me more than fantasy does“. Pierre Coré about ‘The Fantastic Journey of Margot & Marguerite’
“That’s what I enjoy doing!“ John Sheedy, the director of ‘H is for Happiness’, as interviewed by Kuba Armata “That’s what I enjoy doing!“ John Sheedy, the director of ‘H is for Happiness’, as interviewed by Kuba Armata

“That’s what I enjoy doing!“ John Sheedy, the director of ‘H is for Happiness’, as interviewed by Kuba Armata
In a Young Critic’s Opinion #14: "Summer Rebels" In a Young Critic’s Opinion #14: "Summer Rebels"

In a Young Critic’s Opinion #14: "Summer Rebels"
In a Young Critic’s Opinion #13: "The German Lesson" In a Young Critic’s Opinion #13: "The German Lesson"

In a Young Critic’s Opinion #13: "The German Lesson"
Life Kept Quiet. Barbara Kowalewska writes about "Driveways" Life Kept Quiet. Barbara Kowalewska writes about "Driveways"

Life Kept Quiet. Barbara Kowalewska writes about "Driveways"
Snake skin and saving memory. Barbara Kowalewska writes about ‘White Snake’ Snake skin and saving memory. Barbara Kowalewska writes about ‘White Snake’

Snake skin and saving memory. Barbara Kowalewska writes about ‘White Snake’
In a Young Critic’s Opinion #12: "H is for Happiness" In a Young Critic’s Opinion #12: "H is for Happiness"

In a Young Critic’s Opinion #12: "H is for Happiness"
In a Young Critic’s Opinion #11: "Man Up!" In a Young Critic’s Opinion #11: "Man Up!"

In a Young Critic’s Opinion #11: "Man Up!"
In a Young Critic’s Opinion #10: "Dating Amber" In a Young Critic’s Opinion #10: "Dating Amber"

In a Young Critic’s Opinion #10: "Dating Amber"
“It seems common for parents to scream at their children”. Alejandro Fernández Almendras about ‘My Hero Alexis’ “It seems common for parents to scream at their children”. Alejandro Fernández Almendras about ‘My Hero Alexis’

“It seems common for parents to scream at their children”. Alejandro Fernández Almendras about ‘My Hero Alexis’
“I think she’s even learning Polish”. Kurt Martin about ‘Moon Rock for Monday’ “I think she’s even learning Polish”. Kurt Martin about ‘Moon Rock for Monday’

“I think she’s even learning Polish”. Kurt Martin about ‘Moon Rock for Monday’
Disastrous joys of duty. Barbara Kowalewska writes about "The German Lesson" Disastrous joys of duty. Barbara Kowalewska writes about "The German Lesson"

Disastrous joys of duty. Barbara Kowalewska writes about "The German Lesson"
In a Young Critic’s Opinion #9: "Sweet Thing" In a Young Critic’s Opinion #9: "Sweet Thing"

In a Young Critic’s Opinion #9: "Sweet Thing"
In a Young Critic’s Opinion #8: "Antigone" In a Young Critic’s Opinion #8: "Antigone"

In a Young Critic’s Opinion #8: "Antigone"
A love letter to my mother. Samuel Kishi Leopo about ‘The Wolves’ A love letter to my mother. Samuel Kishi Leopo about ‘The Wolves’

A love letter to my mother. Samuel Kishi Leopo about ‘The Wolves’
Gaining trust. Eva Riley, the director of ‘Perfect 10’, as interviewed by Kuba Armata Gaining trust. Eva Riley, the director of ‘Perfect 10’, as interviewed by Kuba Armata

Gaining trust. Eva Riley, the director of ‘Perfect 10’, as interviewed by Kuba Armata
In a Young Critic’s Opinion #7: "The Girl with a Bracelet" In a Young Critic’s Opinion #7: "The Girl with a Bracelet"

In a Young Critic’s Opinion #7: "The Girl with a Bracelet"
In a Young Critic’s Opinion #6: "The Club of Ugly Children" In a Young Critic’s Opinion #6: "The Club of Ugly Children"

In a Young Critic’s Opinion #6: "The Club of Ugly Children"
In a Young Critic’s Opinion #5: "Kuessipan" In a Young Critic’s Opinion #5: "Kuessipan"

In a Young Critic’s Opinion #5: "Kuessipan"
Kindness can be inspiring. Andrew Ahn, the director of ‘Driveways’, as interviewed by Piotr Czerkawski Kindness can be inspiring. Andrew Ahn, the director of ‘Driveways’, as interviewed by Piotr Czerkawski

Kindness can be inspiring. Andrew Ahn, the director of ‘Driveways’, as interviewed by Piotr Czerkawski
In a Young Critic’s Opinion #4: ‘Jackie i Oopjen‘ In a Young Critic’s Opinion #4: ‘Jackie i Oopjen‘

In a Young Critic’s Opinion #4: ‘Jackie i Oopjen‘
“The golden rule of children’s cinema: get rid of the adults”. Marta Karwowska about ‘Triple Trouble’ “The golden rule of children’s cinema: get rid of the adults”. Marta Karwowska about ‘Triple Trouble’

“The golden rule of children’s cinema: get rid of the adults”. Marta Karwowska about ‘Triple Trouble’
In a Young Critic’s Opinion #3: ‘My Brother Chases Dinosaurs’ In a Young Critic’s Opinion #3: ‘My Brother Chases Dinosaurs’

In a Young Critic’s Opinion #3: ‘My Brother Chases Dinosaurs’
When parents aren’t right there. Barbara Kowalewska writes about ‘Los Lobos’ and ‘Sisters: The Summer We Found Our Superpowers’ When parents aren’t right there. Barbara Kowalewska writes about ‘Los Lobos’ and ‘Sisters: The Summer We Found Our Superpowers’

When parents aren’t right there. Barbara Kowalewska writes about ‘Los Lobos’ and ‘Sisters: The Summer We Found Our Superpowers’
In a Young Critic’s Opinion #2: ‘Neddle Park Baby‘ In a Young Critic’s Opinion #2: ‘Neddle Park Baby‘

In a Young Critic’s Opinion #2: ‘Neddle Park Baby‘
Jacket-in-a-box. Benjamin Parent about ‘Man Up!’ Jacket-in-a-box. Benjamin Parent about ‘Man Up!’

Jacket-in-a-box. Benjamin Parent about ‘Man Up!’
In a Young Critic’s Opinion #1: ‘The Drummer and the Keeper’ In a Young Critic’s Opinion #1: ‘The Drummer and the Keeper’

In a Young Critic’s Opinion #1: ‘The Drummer and the Keeper’
Superpowers to fight shame. Review of the film ‘My Brother Chases Dinosaurs’ Superpowers to fight shame. Review of the film ‘My Brother Chases Dinosaurs’

Superpowers to fight shame. Review of the film ‘My Brother Chases Dinosaurs’
Teenagers are under constant pressure. Stéphane Demoustier, the director of ‘The Girl with a Bracelet’, as interviewed by Piotr Czerkawski Teenagers are under constant pressure. Stéphane Demoustier, the director of ‘The Girl with a Bracelet’, as interviewed by Piotr Czerkawski

Teenagers are under constant pressure. Stéphane Demoustier, the director of ‘The Girl with a Bracelet’, as interviewed by Piotr Czerkawski
Ireland sets an example for Poland. David Freyne, the director of ‘Dating Amber’, as interviewed by Piotr Czerkawski Ireland sets an example for Poland. David Freyne, the director of ‘Dating Amber’, as interviewed by Piotr Czerkawski

Ireland sets an example for Poland. David Freyne, the director of ‘Dating Amber’, as interviewed by Piotr Czerkawski
Learn, don’t judge. Myriam Verreault, the director of ‘Kuessipan’, as interviewed by Kuba Armata Learn, don’t judge. Myriam Verreault, the director of ‘Kuessipan’, as interviewed by Kuba Armata

Learn, don’t judge. Myriam Verreault, the director of ‘Kuessipan’, as interviewed by Kuba Armata
Ale Kino! Goodies! Ale Kino! Goodies!

Ale Kino! Goodies!
There’s a child in us, too. Mariusz Palej and Magdalena Nieć, the creators of ‘Black Mill’, as interviewed by Kuba Armata There’s a child in us, too. Mariusz Palej and Magdalena Nieć, the creators of ‘Black Mill’, as interviewed by Kuba Armata

There’s a child in us, too. Mariusz Palej and Magdalena Nieć, the creators of ‘Black Mill’, as interviewed by Kuba Armata
The name can tell a lot about us. Gaspar Scheuer, the director of ‘Delfín’, as interviewed by Kuba Armata The name can tell a lot about us. Gaspar Scheuer, the director of ‘Delfín’, as interviewed by Kuba Armata

The name can tell a lot about us. Gaspar Scheuer, the director of ‘Delfín’, as interviewed by Kuba Armata
It’s easier to write something on the Internet than make a film. Arash T. Riahi, the director of ‘Oskar and Lilli’, as interviewed by Kuba Armata It’s easier to write something on the Internet than make a film. Arash T. Riahi, the director of ‘Oskar and Lilli’, as interviewed by Kuba Armata

It’s easier to write something on the Internet than make a film. Arash T. Riahi, the director of ‘Oskar and Lilli’, as interviewed by Kuba Armata
Be tender to one another. Anne Émond, the director of ‘Jeune Juliette’, as interviewed by Kuba Armata. Be tender to one another. Anne Émond, the director of ‘Jeune Juliette’, as interviewed by Kuba Armata.

Be tender to one another. Anne Émond, the director of ‘Jeune Juliette’, as interviewed by Kuba Armata.
It’s good to change your mind sometimes. Kuba Armata interviews Johanne Helgeland, director of ‘The Crossing’ It’s good to change your mind sometimes. Kuba Armata interviews Johanne Helgeland, director of ‘The Crossing’

It’s good to change your mind sometimes. Kuba Armata interviews Johanne Helgeland, director of ‘The Crossing’
Piotr Czerkawski interviews Stefano Cipani, director of ‘My Brother Chases Dinosaurs’ Piotr Czerkawski interviews Stefano Cipani, director of ‘My Brother Chases Dinosaurs’

Piotr Czerkawski interviews Stefano Cipani, director of ‘My Brother Chases Dinosaurs’
“This is film about something more than just drugs“. Pierre Monnard about ‘Needle Park Baby‘ “This is film about something more than just drugs“. Pierre Monnard about ‘Needle Park Baby‘

“This is film about something more than just drugs“. Pierre Monnard about ‘Needle Park Baby‘
“Let more air and light in“. Kuba Armata interviews Marta Karwowska, director of ‘Triple Trouble’ “Let more air and light in“. Kuba Armata interviews Marta Karwowska, director of ‘Triple Trouble’

“Let more air and light in“. Kuba Armata interviews Marta Karwowska, director of ‘Triple Trouble’